10 Best Audio Interfaces With MIDI Input in 2026 for Flexible Home Recording

The best audio interface with MIDI input can connect microphones, instruments, monitors, and external MIDI gear without forcing you to build a complicated studio setup. The right model depends on your input count, monitoring needs, computer connections, and budget.

These 10 picks range from compact two-channel interfaces for solo creators to larger USB/MIDI hubs with expanded I/O and ADAT connectivity. Use the guide below to narrow the list by workflow and long-term upgrade plans.

Best 10 Audio Interface with Midi Input Picks for 2026

High-Channel Hub – Behringer UMC1820

If you need an audio interface with midi input for a larger recording setup, the Behringer UMC1820 offers substantial I/O in a rack-friendly format. Its 18×20 USB connectivity, eight MIDAS mic preamps, ADAT I/O, and 24-bit/96 kHz support suit multi-microphone and instrument recording.

Best For: Home studios recording multiple microphones, instruments, and expanded ADAT-connected gear.

Pros:

• 18 inputs and 20 outputs over USB with ultra-low-latency streaming.
• Eight MIDAS-designed mic preamps with +48V phantom power.
• Includes MIDI functionality and ADAT I/O for system expansion.
• Works with popular software such as Pro Tools, Ableton Live, and Cubase.

Cons:

• Larger and heavier than compact two- or four-channel interfaces.
• Its extensive I/O may be more than a simple solo setup requires.

The UMC1820 is the strongest fit here when channel count and expandability matter more than portability. It is a practical centerpiece for a busy studio rather than a minimalist desktop interface.

Modern Studio Choice – Focusrite Scarlett 4i4 4th Gen

The Focusrite Scarlett 4i4 4th Gen is a versatile audio interface with midi input for musicians connecting microphones, guitars, synths, and drum machines. It combines MIDI I/O with two mic preamps, two Hi-Z inputs, four line inputs, and four outputs in a compact USB-C design.

Best For: Producers and musicians who want flexible desktop connectivity, MIDI, and guided recording features.

Pros:

• Includes MIDI input/output alongside mic, instrument, and line connections.
• Supports up to 24-bit/192 kHz recording with a stated 120 dB dynamic range.
• Auto Gain and Clip Safe help manage recording levels.
• Air mode adds presence and harmonic drive to vocals and guitars.

Cons:

• Only two microphone preamps are included.
• Its four-channel format is less suitable for large ensemble tracking.

With useful routing, MIDI I/O, high-resolution recording, and included software, the Scarlett 4i4 is a well-rounded choice for a growing desktop studio. It offers more flexibility than a basic two-input interface without becoming unwieldy.

Durable Four-Channel Value – Behringer UMC404HD

For a budget-conscious audio interface with midi input, the Behringer UMC404HD provides four inputs, four outputs, and one MIDI input/output. Its 24-bit/192 kHz support, four MIDAS mic preamps, and impact-resistant metal chassis make it a practical option for small recording systems.

Best For: Small studios needing four mic-capable inputs, MIDI connectivity, and a sturdy enclosure.

Pros:

• Offers 4×4 USB audio plus dedicated MIDI I/O.
• Four MIDAS-designed mic preamps include +48V phantom power.
• Supports up to 24-bit/192 kHz resolution.
• Metal chassis is described as impact-resistant and built like a tank.

Cons:

• Provides fewer overall channels than the UMC1820.
• Supplied notes identify Windows support rather than a broad multi-platform list.

The UMC404HD makes sense when four inputs are enough but MIDI and durable construction are still priorities. It gives a small setup room to grow while avoiding the scale of a high-channel rack interface.

Portable Vintage-Style Pick – Universal Audio Volt 2

The Universal Audio Volt 2 is a compact audio interface with midi input designed for musicians, podcasters, and streamers who need a simple two-channel setup. It offers 24-bit/192 kHz recording, Vintage mode based on UA’s classic 610 preamp sound, and support for computer and mobile recording.

Best For: Solo creators and musicians who value portability, MIDI, and a vintage-inspired input mode.

Pros:

• Compact 2×2 USB-C interface with MIDI functionality.
• Records at up to 24-bit/192 kHz quality.
• Vintage mode is designed to emulate UA 610 tube preamp character.
• Supports macOS, Windows, iPad, and iPhone with the required accessories.

Cons:

• Two-channel I/O is limiting for larger recording sessions.
• Mobile recording requires an external Volt power supply and, where applicable, an Apple Lightning to USB Camera Adapter.

The Volt 2 is a focused choice for recording one or two sources while keeping the setup compact. Its Vintage mode and mobile compatibility add character and flexibility, but larger ensembles will need a higher-channel interface.

Best MIDI Recording Value – Mackie Onyx Producer 2-2

The Mackie Onyx Producer 2-2 is a practical audio interface with MIDI input for musicians who need two recording channels, instrument connectivity, and straightforward computer-based production. It combines two Onyx preamps with combo inputs, MIDI I/O, and bus-powered USB operation.

Best For: Home musicians recording microphones, guitars, keyboards, and other MIDI-equipped gear.

Pros:

• Two Onyx mic preamps with 48V phantom power and support for mic, line, and Hi-Z sources.
• 24-bit/192kHz recording with built-in MIDI input and output.
• Zero-latency direct monitoring, dedicated monitor outputs, and a headphone output.
• Bus-powered USB 2.0 design and included Musician Collection software.

Cons:

• Limited to two inputs and two outputs.
• Windows, macOS, and iOS compatibility is listed, but mobile recording may require additional setup.

With its combination of MIDI connectivity, flexible combo inputs, direct monitoring, and portable bus-powered design, the Onyx Producer 2-2 is a well-rounded choice for compact recording setups.

Best for Vintage-Style Preamps – Universal Audio Volt 1

The Universal Audio Volt 1 is a compact audio interface with MIDI input suited to creators who prioritize portable recording and a vintage-inspired preamp sound. Its single-channel design supports up to 24-bit/192kHz recording and includes a Vintage mode based on UA’s 610 preamp character.

Best For: Solo vocalists, instrumentalists, and mobile producers who need one primary recording input.

Pros:

• Vintage mode is designed to provide the rich sound associated with UA’s classic 610 preamps.
• Supports recording quality up to 24-bit/192kHz.
• Compatible with Mac, Windows, iPad, and iPhone systems, with MIDI devices listed among compatible equipment.
• Includes access to LUNA and a selection of recording software, plug-ins, and tutorials.

Cons:

• Single-interface input makes it less suitable for recording multiple microphones or instruments at once.
• Mobile use may require an external Volt power supply and, for some Apple devices, a Lightning to USB Camera Adapter.

The Volt 1 is most compelling when portability, one-at-a-time recording, and UA’s Vintage preamp option matter more than having multiple analog inputs.

Best Output Flexibility – Behringer UMC204HD

The Behringer UMC204HD is an audio interface with MIDI input for home studios that need two analog inputs, four outputs, and connections for external MIDI hardware. It pairs Midas-designed mic preamps with 24-bit/192kHz converters, inserts, and multiple playback options.

Best For: Home producers using MIDI keyboards, external effects, studio monitors, and two simultaneous analog sources.

Pros:

• Two combination XLR/TRS inputs accept microphones, instruments, and line-level sources.
• Built-in MIDI input and output support keyboards and other external MIDI equipment.
• Four-output configuration includes TRS and RCA playback options, plus two analog inserts.
• Midas-designed preamps and up to 24-bit/192kHz conversion.

Cons:

• USB 2.0 connectivity is wired rather than wireless.
• Its broader routing and insert features may be more than a basic one-microphone setup requires.

The UMC204HD stands out for connecting more studio hardware around a two-input interface, making it a practical choice for producers who want MIDI, external effects, and flexible outputs.

Best Value MIDI-Ready Pick – PreSonus AudioBox 96

The PreSonus AudioBox 96 is a value-focused choice for anyone seeking an audio interface with MIDI input for personal, portable recording. It combines MIDI I/O with two mic preamps, instrument inputs, phantom power, and USB bus power in a compact 2-channel design.

Best For: Home recordists and mobile musicians who need MIDI connectivity, flexible inputs, and a generous software bundle.

Pros:

• Includes MIDI I/O, two Class-A mic preamps, and two high-headroom instrument inputs.
• Supports recording and playback up to 24-bit/96 kHz.
• USB bus-powered design is convenient for portable setups.
• Includes Studio One Artist, Ableton Live Lite, and the Studio Magic Plug-In suite.

Cons:

• Global phantom power may be less flexible than individually switchable channels.
• USB 2.0 connectivity is older than the USB-C connections found on some newer interfaces.

With MIDI I/O, zero-latency mixer control, and a strong collection of included software, the AudioBox 96 offers broad functionality at a value-oriented price. Its two-channel layout makes it especially practical for straightforward home and portable recording.

Best for Modern Mobile Recording – Focusrite Scarlett Solo 4th Gen

The Focusrite Scarlett Solo 4th Gen is a compact interface for recording a microphone and guitar or another instrument. While it is not listed with MIDI I/O, its 120 dB dynamic range, 192 kHz support, USB-C connection, and iPad compatibility make it a capable option for creators prioritizing modern audio performance.

Best For: Songwriters and solo creators recording vocals and one instrument on a computer or compatible iPad.

Pros:

• Uses converters with a 120 dB dynamic range and supports up to 24-bit/192 kHz audio.
• Air mode adds presence and harmonic drive to vocals and guitars.
• Compact design works with Mac, Windows, and iPad setups.
• Includes Pro Tools Intro+, Ableton Live Lite, Cubase LE, and Hitmaker Expansion.

Cons:

• Does not list MIDI input or MIDI I/O.
• Offers one XLR mic preamp and one Hi-Z instrument input, limiting simultaneous sources.

The Scarlett Solo is a strong audio-first choice, but shoppers specifically requiring an audio interface with MIDI input should look elsewhere in this roundup. For vocal-and-guitar recording, however, its Air mode, high-resolution support, and included software are compelling.

Best for Podcasting and Streaming – M-AUDIO M-Track Duo

The M-AUDIO M-Track Duo is a portable two-channel interface for podcasting, recording, and live streaming. It is not specified with MIDI input, but it provides dual combo inputs, phantom power, direct monitoring, and broad computer and mobile operating-system support.

Best For: Podcasters, streamers, and musicians who need two flexible inputs and simple zero-latency monitoring.

Pros:

• Two combo XLR/line/instrument inputs support microphones, guitars, and line-level sources.
• USB/Direct monitoring switch enables zero-latency monitoring.
• Includes headphone and stereo main outputs for flexible monitoring.
• Comes with MPC Beats and supports Ableton Live Lite.

Cons:

• Does not list MIDI input or MIDI I/O.
• Maximum sample rate is 48 kHz.
• Includes a one-year warranty, shorter than some competing options listed here.

The M-Track Duo is easy to position for basic recording and streaming, especially when two inputs and direct monitoring matter more than high sample rates or MIDI connectivity. Buyers needing an audio interface with MIDI input should verify their requirements before choosing it.

How We Picked the Best Audio Interface with Midi Input

We focused on interfaces that support practical computer-based recording while offering MIDI connectivity or a clear fit for MIDI-equipped studio setups. The selection covers compact 1-in/2-out and 2-in/2-out designs, flexible 4-channel options, and larger interfaces suited to bands, hardware synths, and expanded microphone rigs.

We also considered preamp quality, converter resolution, direct monitoring, headphone and monitor outputs, driver or software support, USB connectivity, build quality, and overall value. Since needs vary widely, no single interface is ideal for every producer.

Quick Comparison

Best for	Recommended options	Why consider them
Solo recording	Focusrite Scarlett Solo, Universal Audio Volt 1	Simple operation and a compact footprint
Small home studios	Focusrite Scarlett 4i4, Behringer UMC204HD	More inputs, outputs, and routing flexibility
Multiple microphones	Behringer UMC404HD, Mackie Onyx Producer 2X2	Useful preamps and practical studio monitoring features
Expanded studio rigs	Behringer UMC1820	Many analog inputs plus ADAT expansion
Budget recording	PreSonus AudioBox 96, M-AUDIO M-Track Duo	Accessible entry points for basic recording setups

Key Buying Factors for an Audio Interface with Midi Input

Inputs and Outputs

Count how many microphones, guitars, keyboards, and external devices you will use at the same time. Two inputs suit most solo sessions, while four or more are better for drum machines, stereo instruments, interviews, or small ensembles. Balanced line outputs are important if you plan to connect studio monitors, and extra outputs help with separate headphone mixes or hardware effects.

MIDI Connections and Routing

Check whether the interface includes the MIDI ports you actually need: standard five-pin MIDI input and output are useful for keyboards, drum machines, and older hardware. If your setup relies heavily on external synthesizers, also consider the number of line inputs and whether the software offers convenient direct monitoring or loopback-style routing.

Audio Quality and Latency

Modern interfaces commonly offer up to 24-bit/192 kHz recording, but stable drivers, low-latency monitoring, and dependable headphone amplification often matter more than the highest sample-rate number. Direct monitoring can help you hear yourself without distracting computer delay.

Connectivity and Expansion

Confirm USB compatibility with your computer and check whether the interface is bus-powered or requires a separate adapter. ADAT support is valuable if you expect to add an external preamp or more microphone inputs later.

Who Should Buy Which Audio Interface with Midi Input?

Choose a compact Solo, Volt 1, or M-Track Duo if you mainly record one person at a time and want a small, affordable setup. Step up to the Volt 2, AudioBox 96, or Onyx Producer 2X2 for two-channel recording with additional flexibility. The Scarlett 4i4 and UMC204HD are stronger choices for producers using multiple hardware instruments or needing more outputs. Pick the UMC404HD when you regularly record several sources at once, and choose the UMC1820 if your studio may grow into a larger microphone or ADAT-based system.